@ito-ksk
サムネの子、奴隷としか生きれなくて人生を諦めたようにぼーっと宙を見つめてるようにも見えるし、奴隷として生きさせてるこっち側を上から睨んでるようにも見えてすごい(語彙力)
@Ppp-pb6bp
ツユさんの曲の女の子全員個性が全然違って好き
@しゃの-c9c
大人に勉強していい職につけって言われて｢やりたくない｣って言っても、将来やりたいものなんてなくて...結局言うこときいてレールの上なぞってくだけだなぁ... ツユさんの曲はいつも共感しまくり
@ruik7559
ツユさんの曲って思春期の子によくある悩みや気持ちを代弁してくれてるみたいで好き
@irasuto_0r
僕たちの普段言えない、言おうとも思えない、言っても無駄だと思って言えない気持ちを、音にのせてさらけ出してるのが好き
@kayosayo
当たり前やけどツユさんの曲って共感できる心の苦しさを歌ってる曲が多くて、それにおむたつさんの苦悶に浮かぶ絵が入ってその苦しさが凄い伝わってきて好き
@CupOForeign
ok whoever made this CC is an absolute chad
@hojitann
I think the line that hits the hardest is "I don't want to do it, I don't want to do it." ----- "Then what do you want to do?" ----- "I don't know, I said I don't know." Its like an eeriely typical conversation with my parents I had in the past, and feeling completely lost as to what to answer. In different cases, this can result in different severities of control or 'slavery' in this case.
@saltedbird9307
I really like the circle-cross motif of the song. In case you don't know, Japan uses a system where correct answers get a circle, while incorrect answers are marked by a cross (albeit said cross tends to be shortened to just a check mark since it's faster and saves up on ink). Dorei-chan has a circle hanging from her neck, which represents how she is physically and metaphorically chained by right answers due to her school life, in the same way a slave would get a collar to prevent them from running away. At the same time, her hair pin, ribbon and uniform include the crosses corresponding to wrong answers, so the girl's very appearance is a conflict between right and wrong. In this vein, when she asks "Where will I use this?/This foolish circle of wisdom/that I’m attached to" it's literally in reference to the uselessness of getting correct answers (the so-called circle) in life outside tests and how she’s enslaved to them anyway. Throughout the song we see how Dorei-chan goes back and forth between 〇 and ×, she gets surrounded by circles/right answers at 0:18 after the opening shot showed the puppets on their own, then at 0:38 crosses begin to accompany the girl as she reflects on her inability to escape her condition (“It didn’t even change/Can’t you see/All we do is get used to being sad”). The crosses keep popping up to the point where Dorei-chan decides that dropping out of school would have been better, but ultimately the chorus kicks in and she goes back to being circled by the 〇’s. This ties back into the idiom of “going around in circles/堂々巡り” that gets referenced in the lyrics, no matter what the slaves like Dorei-chan do, they will always loop back to their initial situation for as long as they are still chained to the idea of correct answers that the circles convey. The rest of the MV follows the same structure, the crosses appear and the girl ponders if maybe she actually can escape her scholarly slavery without much certainty (“What do I do with this situation?/Break it/Can I do that?), only for the circles to step in and crush her already small hopes (“Then, I’ll quit if I could quit” or “Then, I’ll run away if I could run away”). It’s a rinse-and-repeat of yanking the girl’s chain whenever she thinks she can break free until we see the puppet’s string give in, but as others pointed out, what this means for Dorei-chan is left ambiguous.
@めるお-b8v
この曲最初から鳥肌が立つほど、やばいんだよな。 MVで聴くとさらにこの子の痛みが伝わっていく感じですごくいい
@にんじん-c9l
やっぱりMVありとないとじゃ伝わってくるものって強くなるんだと思った初めてのプレミア公開視聴でした😆
@五十嵐美香子
1:10 「負けたくないけど勝ちたい意味は知らない」っていうところが今の私（高2）でグッときた(((語彙力
@焦げパン
「奴隷な私ね」をドレミファソラシドの音階で表現するの超好きです
@自称進の底辺-j6u
誰か言ってるの見た事ある気もするけど、ツユの曲は絶対共感できる歌詞とかが入ってるから全部大好き。
@maau.tooa1027
言う通りに生きてきたのに上手くいかない、それでいて今更逃げ出すことも反抗することもできない八方塞がりな状況とか、言う通りにしか動けない苦しみと自由にやれなんて言われても…って気持ちが伝わってくる
@Aquioso
Can we talk about the subtitles. Whoever did it is a genius, needs a raise and a pat on the back.
@Tamamotetsu
MVを見て改めて主人公の絶望感が伝わって来ました…ツユさんの曲に出てくるヒロイン達は全員個性があって好きです…。。
@美しい絶望
大好きですどうか消えないで
@あめ-t8f1c
人を救っている価値のあるこの世界が消えようとしているのに、できること何にもない決定に従っているしかない無力な自分が悔しすぎる
@TUYU_official